Now, Mary Chase isn't Shakespeare. I get that.Still, her script contains some delightful use of language. She uses very precisely chosen words which roll around the tongue. There are consonants that clip and alliteration which vibrates with erudition. Some words are repeated within the same scene for rhythmic effect. Listening to the play in rehearsal gives me an appreciation for Chase's work which I couldn't get from the page. And, let's face it, that's as it should be. We can read a play, but the real pleasure comes from it being performed - which was the whole point in writing it in the first place.
Nevertheless, my cast and I have an obligation to deliver these lines with the respect that they deserve. What good is it to present a production with all the nuances of character, lovely costumes, period props and furnishings, great lighting and set design...all the elements of a great show...yet confound the audience by not being understood? Rhetorical question, yes, but it happens all too often. I have instructed the cast to notice Ms. Chase's use of language, to appreciate it, and to give it full respect. I spend time in rehearsal cautioning the cast not to rush their lines (which usually get more rushed in the anxiety filled moments of an actual performance), and to relish the words that they are given to speak.
The audience, and the spirit of the dramatist, will thank us.
